wichaa › Subjects › Chronicle (Tamnan) › Secular History
This is the smallest of the three chronicle sub-genres — 159 witnesses, against 569 Buddhist Chronicle and 328 Tamnan — and it is where the catalogue put the material that reads as worldly: kings, muang, dynasties, warfare, and the memory a polity keeps of its own statecraft. Forty-nine of the 159 titles name a เมือง. Nineteen name Chiang Mai; nineteen name Chiang Saen.
It is also the shelf where the labelling most visibly strains. The parent genre is built on sacred causation, and a sacred-causation historiography does not have a secular half to be split off. What it has is a residue — and the residue is fascinating precisely because it is mixed. Read the titles honestly and this sub-genre contains: a cosmogony, a Buddhist queen's Pali vaṃsa, an epic of an invulnerable warrior-king, a city that sank into a lake, several biographies of abbots, one manual for building irrigation weirs, and — filed with all the rest — a bundle containing a yant.
พระยาเจือง carries seven witnesses here, all from Phrae and Phayao and all copied within a century: ms 3521 at Wat Si Khom Kham, 1803; ms 3522, 1836, pairing him with the Ngoen Yang chronicle; ms 2681, a wohan nisai — a gloss-and-explanation version — at Wat Phra Bat Ming Mueang, 1845; then ms 2752 and ms 3115 at Wat Mueang Mo (1894) and ms 2825 and ms 3116 at Wat Klang (1895), four copies in two years. The EFEO batch adds three more, and those three are one work split by fascicle — phuk 1–4, 5–8 and 9–11 — which tells you the size of the thing: an eleven-fascicle epic.
Tradition holds — Chueang (Thao Hung Thao Chueang in the Lao telling) is the oldest and grandest hero of the upper Mekong, a Tai epic of some thousands of stanzas whose reach runs from Phayao through Luang Prabang into Sipsong Panna.
And the corpus can show him from the outside. The printed Supreme Maha Mantra Katha, a modern wichaa manual, opens a section on "Great and Valiant Heroes Who Excelled Supremely in Mantras and Incantations" with him (p.55): a prophecy at birth that he would be a world-conqueror, three princesses won as by-products of elephant-catching expeditions into Nan and Phrae, then a career of conquest across Lan Chang — and the sentence that explains why a katha book wants him at all, that "possessing powerful mantras and great yantras for his protection, [he] could not be touched by any weapon on his body, not even once, even in battle" (p.56). Inference — the treatise is not summarising a chronicle for interest's sake. It is entering Chueang as evidence, the way a law report cites a case: the invulnerability worked, here is the man it worked for. Whatever the cataloguer meant by secular, this is not it.
โยนกนคอรราชธานีชัยยะบูรีศรีเชียงแสน — Yonok Nakhon, the primordial capital — has five witnesses here, including ms 800 at Wat Chiang Man (1880), ms 3527 at Wat Si Khom Kham (1888), ms 3529 at Wat Pa Sao, Lamphun (1953) and ms 3531 at Wat Ban Laeo, Chiang Rai. Ms 3520, Tamnan nyonok lok, was still being copied at Wat Thao Bun Rueang in 1963.
Tradition holds — the story it tells is the north's flood myth and it is merciless. The townspeople of Yonok catch an enormous white eel in the river, haul it up, cook it, and share it out across the city — every household eating except one poor widow, who is given none. That night the ground opens and the whole capital, court and king and all, goes down under the water in a single convulsion; the widow alone wakes to find herself on an island. The eel was no eel. What the city had eaten belonged to the nāga, and the lake that stands there now is the receipt. The neighbouring สุวัณณะโคมคำ, the Golden-Vessel country (ms 5575, ms 801, and ms 3525 at Wat Pa O Don Chai), is its companion piece — another first-city with a serpent in its foundations. See Wat Chiang Saen.
Inference — note what a "secular" chronicle is doing here. It is not recording a flood. It is recording a judgement, with an identified plaintiff. That is sacred causation running the machinery, on the shelf labelled worldly.
The single clearest sign that this label is a container rather than a category: eight witnesses of ปฐมมูลมูลี and seven of ปฐมกัป sit here. The Pathamamūlamūlī is Lanna's own account of the beginning of things — the first aeon, the first beings, how the world got populated and ordered — and the Pathamakappa is the first world-age. Ms 2119, a wohan version, was copied at Wat Sung Men in 1834; ms 4702 at Wat Lai Hin Luang in 1917; ms 3371 at Wat Phaya Phu, Nan, in 1891; ms 4320 as late as 1974. A near-identical text, ms 4118, went to the literary shelf as a folk tale. Cosmogony, sorted three ways by three cataloguers.
The same is true of Camadevi: four of her nine witnesses are here, including the Pali จามเทวีวงสา itself (ms 1350, Wat Sung Men, 1833) — a vaṃsa, by name, on the non-vaṃsa shelf.
The genuinely political material is real and it is good.
At the far end of "worldly" sit the genuinely administrative pieces, and there are few: ms 5089, ตำราส้างเหมืองฝายทุ่งฅำ, the manual for building the weirs and channels of the Thung Kham muang fai irrigation system (Wat Ban Ueam, Lampang, 1942); ms 5053 and ms 5059, the phawat of an abbot and of a teacher-monk at the same temple; ms 4934, มนุสสวิไนย, at Wat Phra That Lampang Luang, 1801.
Palm-leaf dominant (134 of 159) with 10 on mulberry paper and 15 unrecorded — a visibly higher paper share than the canonical genres, consistent with working documents rather than merit-copies. Only 75 carry a date, less than half, the lowest dated share of the three sub-genres — but those 75 span 1742 to 2024, and that 2024 witness (ms 6201, Wat Li, Phayao) is the most recent manuscript in the entire archive. Secular chronicling did not stop.
Its geography breaks the Wat Sung Men pattern cleanly, and this is the sub-genre's strongest structural claim: Phayao leads (36), ahead of Phrae (30) and Chiang Mai (19), across 52 named temples, led by Wat Si Khom Kham (26) with Wat Sung Men a distant second (11). Secular history was kept where the polity was, not gathered into one scholastic library. Inference — of the three sub-genres this is the one whose provenance counts most deserve to be read as a real regional distribution — it is the only one not dominated either by a single library or by a single digitisation project.
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