{"type": "entity", "value": "chang", "key": "entity:chang", "label": "Chang (elephant)", "noun": "subject", "browseCol": "", "note": "", "priority": false, "profile": {"count": 31, "priority": 3, "provinces": [{"value": "Lampang", "n": 7, "label": "Lampang"}, {"value": "Phrae", "n": 5, "label": "Phrae"}, {"value": "Nan", "n": 4, "label": "Nan"}, {"value": "Lamphun", "n": 4, "label": "Lamphun"}, {"value": "Chiang Rai", "n": 2, "label": "Chiang Rai"}, {"value": "Chiang Mai", "n": 2, "label": "Chiang Mai"}], "temples": [{"value": "Wat Sung Men", "n": 3, "label": "Wat Sung Men"}, {"value": "Wat Ban Ueam", "n": 3, "label": "Wat Ban Ueam"}, {"value": "Wat San Rim Ping", "n": 2, "label": "Wat San Rim Ping"}, {"value": "Wat Phrommacariyawat", "n": 2, "label": "Wat Phrommacariyawat"}, {"value": "Wat Phra That Chang Kham Worawihan", "n": 2, "label": "Wat Phra That Chang Kham Worawihan"}, {"value": "Wat Pa Phlu", "n": 2, "label": "Wat Pa Phlu"}], "scripts": [{"value": "tham_lanna", "n": 30, "label": "Tham Lanna · อักษรธรรมล้านนา"}, {"value": "shan", "n": 1, "label": "Shan · อักษรไทใหญ่"}], "languages": [{"value": "Pali and Lan Na", "n": 30, "label": "Pali and Lan Na"}, {"value": "Pali, Shan and Burmese", "n": 1, "label": "Pali, Shan and Burmese"}], "materials": [{"value": "palm_leaf", "n": 22, "label": "Palm-leaf · ใบลาน"}, {"value": "mulberry_paper", "n": 5, "label": "Mulberry paper (saa) · กระดาษสา"}], "date": {"min": 1861, "max": 1973, "dated": 21}, "samples": ["Cang cet ho cet hang", "Sut lae su khwan cang", "Untitled (Lakkhana cang, Hiak khwan cang, Tamla hian phasa tai yuan, Holasat)", "Cang sam nga pa sam ngiang", "Cang satan", "Cang satan", "Siwicai cang phoek", "Siwicai cang phueak"]}, "lede": "Chang (elephant) accounts for 31 catalogued manuscripts, 3 of them flagged research-priority. It clusters in Lampang (23% of the corpus for this subject), ahead of Phrae and Nan. Nearly all (97%) are written in Tham Lanna · อักษรธรรมล้านนา script. By support it leans to palm-leaf · ใบลาน (71%) over mulberry paper (saa) · กระดาษสา (16%). Dated witnesses run 1861–1973 CE (21 of 31 carry a date).", "findings": [{"slug": "echoshared-vocabulary", "title": "The shared vocabulary: words that run from leaf to stall", "gloss": "40 terms are written into the manuscripts and named in today's market — the living thread of the tradition, the same knowledge still changing hands."}], "authored": {"exists": true, "status": "published", "title": "Chang (elephant) — the animal that carries the state", "see_also": ["entity:ma", "entity:kai", "entity:vessantara", "entity:su_khwan", "entity:yantra", "entity:katha", "entity:naga", "entity:mangrai", "entity:phrommachat", "entity:lersi", "genre:jataka", "genre:magic_ritual", "genre:liturgy_chanting", "genre:tamnan_chronicle", "genre:medicine", "genre:astrology"], "body_html": "<h2>What this is</h2><p>The horse&#x27;s page on this site opens with a concession: in Lanna the elephant is the animal everyone can name. It carries the relic up the mountain, it names the northern gate of Chiang Mai, it is the animal the greatest monks are burned in, and it sits in the twelfth slot of the Lanna year-cycle where everyone else&#x27;s calendar keeps a pig. That page argued the horse holds a different job — the elephant carries the state, the horse carries the spirit (<a href=\"/a?s=entity:ma\">the horse — and the zebra</a>). This is the elephant&#x27;s own page.</p><p><strong>ช้าง</strong> <em>chang</em> /cháang/ is a Tai word, not a borrowing — Lao ຊ້າງ, Shan ၸၢင်ႉ, the same syllable down the whole family. The learned words are Indic: <strong>คช</strong> <em>khot</em> /khót/ ← Skt <em>gaja</em>; <strong>หัตถี</strong> <em>hatthi</em> /hàt-thǐi/ ← Pali <em>hatthī</em> ← <em>hattha</em> &quot;hand&quot; — the animal with a hand, which is what a trunk is; <strong>กุญชร</strong> <em>kunchon</em> /kun-chɔɔn/ ← <em>kuñjara</em>; <strong>ไอยรา</strong> <em>aiyara</em> and <strong>เอราวัณ</strong> <em>erawan</em> ← Skt <em>Airāvata</em> / Pali <em>Erāvaṇa</em>, Indra&#x27;s elephant. And one word that is not a name at all but a grammar: a kept elephant is counted in <strong>เชือก</strong> <em>chueak</em> /chʉ̂ak/, &quot;rope&quot; — one rope, two ropes of elephants — while a wild one is counted in ตัว <em>tua</em> like any other body. The language remembers that a working elephant is an elephant with a rope on it.</p><p><em>Terms are given four ways where it helps: <strong>script</strong> — </em>RTGS<em> — /precise, with tone and vowel length/ — then the root or the morpheme split. Tone: à low, á high, â falling, ǎ rising, unmarked mid; doubled vowels are long.</em></p><p>The catalogue holds <strong>31 witnesses</strong> for the elephant — more than any other animal on this site (the chicken has 5, the horse none), and almost all of them are stories. The palm leaf keeps the elephant as a jataka hero first, as the subject of a rite second, and as the subject of a treatise third. That order is the shape of this page.</p><h2>The story, first — the six-tusked king</h2><p>A nun in the Buddha&#x27;s order is listening to him preach, and laughs out loud. Then she weeps. Asked why, she says she has just remembered who she was: the consort of an elephant king, and the woman who had him killed.</p><p><em>Tradition holds —</em> the story the Buddha then tells is the <strong>Chaddanta Jātaka</strong>, and the Lanna scribes copied it under the title ช้างฉทัน / ช้างสัททันตะ — this collection holds four copies: two from Phrae, <a href=\"/m/cang-satan-1848/\">Cang satan</a> and <a href=\"/m/cang-satan-2-2149/\">its twin</a> at <a href=\"/place/wat-sung-men/\">Wat Sung Men</a>; one from Nan, <a href=\"/m/phanya-cang-sattanta-4156/\">Phanya cang sattanta</a>; and a Lamphun bundle, <a href=\"/m/cang-satanta-tang-kao-alintum-3038/\">Cang satanta tang kao</a>, &quot;the Chaddanta elephants, all nine&quot;, dated CS 1256 (1894). A fifth, from <a href=\"/place/wat-lai-hin-luang/\">Wat Lai Hin Luang</a> in Lampang, is not the tale but a discourse on it: <a href=\"/m/wohan-thamma-phanya-cang-phueak-kaeo-satanta-3237/\">Wohan thamma phanya cang phueak kaeo satanta</a>, &quot;the dhamma discourse of the white elephant-jewel Chaddanta&quot;, CS 1278 (1916). The printed manual <a href=\"/m/mind-current-secrets-saiyasat-6982/\">Mind-current secrets of saiyasat</a> retells it at pp. 44–48 as the frame for the <strong>ฉัททันต์ปริตร</strong>, the protective chant, and that retelling is the one below.</p><p>In the Himavanta forest the Bodhisatta is born an elephant, white, with tusks that give off light in six colours — the name means <em>six-tusked</em>, and the tradition reads it as six rays rather than six teeth. He is king of eight thousand elephants and has two consorts, <strong>จุลสุภัททา</strong> Cūḷasubhaddā and <strong>มหาสุภัททา</strong> Mahāsubhaddā. One day he shakes a sal tree in flower. The wind carries the blossom and the pollen onto one wife; the dry side of the tree — the twigs, the red ants — falls on the other. Later he finds a great lotus and gives it to the wife who had the flowers. The slighted one makes a vow: to be reborn where she can have him killed. She starves herself, dies, and is reborn as the queen of the king of Madda. When she is grown she feigns a sickness and tells her husband the one cure: <em>&quot;I saw a white elephant, whose tusks have rays of six colours. I must have those two tusks.&quot;</em></p><p>The hunter <strong>โสณุตตระ</strong> Sonuttara is sent. The manual keeps the arithmetic of his journey — <em>seven years, seven months and seven days</em> — into the mountains. He digs a pit on the path the king walks, covers it, and, because a monk is not to be harmed, puts on the saffron robe. From the pit he shoots the elephant through the navel. The king trumpets three times in his agony and turns to crush the man — and sees the robe. He stops. He asks the hunter why, and on being told the queen wants the tusks, he has the hunter saw them off himself, or, in the telling where the saw will not bite, takes the saw in his own trunk and cuts them, and dies giving them. The queen receives the tusks and, the manual says, dies of the grief of what she has done — to be reborn, many lives later, as the nun who laughed and wept.</p><p>The paritta that follows is the part that is <em>used</em>: the verses beginning <strong>กาสาวะมัททักขิ ธะชัง อีสิงัง</strong> — &quot;seeing the saffron banner of the seers&quot; — are chanted, the manual says, for protection from wild beasts when one sleeps in the forest. A monk&#x27;s robe, in the logic of the tale, is what an elephant will not trample; the chant borrows that. <em>Inference —</em> the four Lanna copies and the Lampang discourse are the same text doing the same two jobs it does in the printed manual: a night-time recitation against animals, and the most-told reason an ordinary elephant is owed the respect the Bodhisatta was.</p><h2>The white elephant that chose the mountain</h2><p>The second story is a chronicle, and Chiang Mai walks past its ending every day.</p><p><em>Tradition holds —</em> in 1383 King <strong>กือนา</strong> Kue Na received a relic of the Buddha from the monk Sumana, who had brought it up from Sukhothai. The relic divided itself. One half was enshrined at Wat Suan Dok; for the other, the king placed it in a howdah on the back of a white elephant and let the animal walk. It left the city by the north gate, climbed Doi Suthep, trumpeted three times, circled three times, knelt — and died. The reliquary was built on the spot, and the temple is <a href=\"/place/wat-phra-that-doi-suthep/\">Wat Phra That Doi Suthep</a>. The white elephant figure at the temple remembers the animal.</p><p>The north gate is <strong>ประตูช้างเผือก</strong> <em>pratu chang phueak</em> /pra-tuu cháang phʉ̀ak/ — ประตู <em>pratu</em> &quot;gate&quot; + ช้าง + เผือก <em>phueak</em> &quot;pale, blanched&quot; (the same word as the taro root, เผือก). <em>Tradition holds —</em> the name is not from the relic elephant but from the twin white-elephant monument outside the gate, raised in the reign of Phaya Saen Mueang Ma (late 1300s) for two retainers who carried the king home from a campaign; the gate was earlier the Hua Wiang Gate. Either way the quarter, the market, the hospital and the road took the name, and the city&#x27;s first temple, <a href=\"/place/wat-chiang-man/\">Wat Chiang Man</a>, keeps a chedi ringed with half-length stucco elephants bearing the base — the <strong>ช้างล้อม</strong> <em>chang lom</em> form, &quot;elephants surrounding&quot;, shared with Sukhothai and Si Satchanalai. <a href=\"/place/wat-lam-chang/\">Wat Lam Chang</a>, inside the walls, is <strong>ล่ามช้าง</strong> — ล่าม <em>lam</em> &quot;to tether&quot; — where tradition puts Mangrai&#x27;s elephants while the city was being laid out (<a href=\"/a?s=entity:mangrai\">Mangrai</a>). The directory of the living city keeps all of this, with the camps beside it, at <a href=\"https://motdang.net/chang.html\">motdang.net/chang.html</a>.</p><p>Two more facts the horse page already established and this one should own. The Lanna twelve-year cycle, ปีเปิ้ง <em>pi poeng</em>, ends on <strong>ปีใค้</strong> <em>pi khai</em> /pii kái/ — the elephant — where Thai ปีกุน and the Chinese cycle keep a pig; the label is the borrowed pig-branch 亥 <em>hài</em> and the animal under it is a local override (<a href=\"/a?s=entity:ma\">the cycle, in the horse article</a>). And in the <strong>ชุธาตุ</strong> <em>chu that</em> system that assigns each year-animal a relic-stupa, the elephant-born are sent to <strong>Phra That Doi Tung</strong> in Chiang Rai (<a href=\"/place/wat-phra-that-doi-tung/\">the page</a>) — inside Lanna, an easy pilgrimage, where the horse-born are sent to Shwedagon. The elephant is the animal of staying.</p><h2>Paccaya — the elephant that was rain</h2><p>The third story is the one every Lanna temple preaches once a year, and the elephant is the cause of everything that happens in it.</p><p><em>Tradition holds —</em> Prince Vessantara&#x27;s white elephant <strong>ปัจจัยนาเคนทร์</strong> Paccaya-nāgendra was born on the same day as the prince and brought rain wherever it stood. When brahmins from a drought-struck kingdom came to beg for it, Vessantara gave it away — and his own people, robbed of their rain, had him banished. Everything after — the gift of the children, the gift of the wife, the return — follows from an elephant. The <strong>Mahāchat</strong> is the best-attested text in this whole collection, 85 catalogued witnesses (<a href=\"/a?s=entity:vessantara\">Vessantara / Mahāchat</a>); the elephant gift is in the second chapter, <strong>หิมพานต์</strong> <em>Himaphan</em>. The printed amulet manual <a href=\"/m/making-sacred-charms-amulets-6983/\">Making sacred charms and amulets</a> still reaches for the animal as the measure of a thing beyond price: a rosary &quot;like receiving the elephant-jewel Paccaya-nāgendra — hold a parasol over it&quot; (p. 117), an oil &quot;like receiving a white elephant with black tusks, which nothing can be compared to&quot; (p. 118).</p><p><em>Inference —</em> one Phayao bundle may hold the rain-logic in ritual form: <a href=\"/m/kho-fon-cim-pha-cao-ha-ton-nyo-kun-pacon-cumnum-tham-paeng-5498/\">a compendium from Wat Si Khom Kham</a> opens with a rain-asking text, ขอฝน, and lists among its sections <strong>แปงช้างเผีก</strong> <em>paeng chang phoek</em> — Northern แปง &quot;to make, to build&quot; + the white elephant: &quot;making the white elephant&quot;. Nobody has read the leaves; a white-elephant effigy in a rain rite would be exactly what the Vessantara story predicts. It is on the open list at the end.</p><h2>What the catalogue holds, group by group</h2><h3>The treatise — reading an elephant&#x27;s marks</h3><p>One manuscript on this site is what the central Thai tradition calls <strong>ตำราคชลักษณ์</strong> <em>tamra khachalak</em> /tam-raa ká-chá-lák/ — ตำรา &quot;treatise&quot; + <em>gaja</em> &quot;elephant&quot; + <em>lakṣaṇa</em> &quot;mark, characteristic&quot;: the manual for reading an elephant&#x27;s body. It is <a href=\"/m/lakkhana-cang-hiak-khwan-cang-tamla-hian-phasa-tai-yuan-538/\">an untitled Nan bundle from Wat Pa Mueat</a>, 16 leaves, whose cataloguer lists four things inside: <strong>ลักขณะช้าง</strong> <em>lakkhana chang</em> &quot;the marks of the elephant&quot;, <strong>เรียกขวัญช้าง</strong> <em>hiak khwan chang</em> &quot;calling the elephant&#x27;s khwan&quot;, a primer for learning Tai Yuan, and a horā almanac. Marks, rite, grammar and calendar in one bundle — a working elephant-keeper&#x27;s bundle, not a library&#x27;s.</p><p><em>Tradition holds —</em> the treatise genre sorts elephants by lineage and by auspicious marks. The four lineages are named for the gods who made them: <strong>พรหมพงศ์</strong> <em>phromma-phong</em> (Brahmā&#x27;s), <strong>อิศวรพงศ์</strong> <em>itsuan-phong</em> (Śiva&#x27;s), <strong>วิษณุพงศ์</strong> <em>witsanu-phong</em> (Viṣṇu&#x27;s), <strong>อัคนิพงศ์</strong> <em>akkhani-phong</em> (Agni&#x27;s); a white elephant, ช้างเผือก, is not a white animal but one that carries the marks — read, the tradition says, in the eyes, the palate, the nails, the hair, a skin the colour of new clay, the tail hair, and one more, seven in all. Whether the Nan leaves keep that scheme or a northern one is the open question nobody has yet read.</p><p>A second Lampang bundle, <a href=\"/m/tat-suea-pha-ngua-hung-maeo-suea-latcasi-nak-cang-nu-lae-uen-5131/\">from Wat Wiang</a>, is an animal-marks compendium in miniature: its sections are cattle, the rainbow, cat, tiger, lion, otter, <strong>elephant</strong>, mouse &quot;and others&quot; — the same instinct that produced the Thai cat treatise and the horse treatise, here kept together on one set of leaves.</p><h3>The khwan — the rite for an elephant</h3><p>Two manuscripts are the rite itself. <a href=\"/m/sut-lae-su-khwan-cang-367/\">Sut lae su khwan cang</a> from Wat Si Mongkhon (Kong) in Nan is a chant-text (สูด, <em>sut</em>, to chant) with a <strong>สู่ขวัญช้าง</strong> <em>su khwan chang</em> /sùu khwǎn cháang/ — the khwan-calling for an elephant — and <a href=\"/m/su-khwan-cang-4047/\">Su khwan cang</a>, four leaves, is from <strong>Wat Phra That Chang Kham</strong> in Nan — the temple of the elephant-propped reliquary holds the rite for the elephant. The su khwan is the rite held for people (<a href=\"/a?s=entity:su_khwan\">Su Khwan</a>, 51 witnesses, 45% of them from Nan); here it is held for an animal. <em>Tradition holds —</em> a working elephant&#x27;s khwan is called back after capture, after a fright, after illness, and on the day it is blessed, and the camps of Chiang Mai still hold one on Thai Elephant Day, 13 March. The rite on the leaf and the rite at the camp are the same rite.</p><h3>The local jatakas — the elephant tales nobody outside the north tells</h3><p>The rest of the palm-leaf witnesses are stories with the elephant in the title, none of them canonical, most of them in several copies — which is how you know they were preached:</p><ul><li><strong>ช้างเจ็ดหัวเจ็ดหาง</strong> <em>chang chet hua chet hang</em> &quot;the elephant with seven heads and seven tails&quot; (sometimes under its hero&#x27;s name, วาฬกุมมาน <em>Wala Kumman</em>) — six copies: <a href=\"/m/wala-kumman-cang-cet-hua-cet-hang-3014/\">Lamphun, Wat San Rim Ping</a>, <a href=\"/m/cang-cet-hua-cet-hang-3015/\">Lampang, Wat Ban Ueam</a> and <a href=\"/m/cang-cet-hua-cet-hang-3-5019/\">another</a>, <a href=\"/m/walakumman-cang-cet-hua-cet-hang-5201/\">Lampang, Wat Nakhot Luang</a>, <a href=\"/m/cang-cet-hua-cet-hang-2-4201/\">one unprovenanced</a>, and — the longest — a 147-leaf copy from <a href=\"/m/cang-cet-ho-cet-hang-75/\">Wat Pang Mu in Mae Hong Son</a>, CS 1302 (1940), whose title is spelled จ้างเจ๊ดโหเจ๊ดหาง in the Shan-leaning orthography of that valley.</li><li><strong>ช้างโพง / ช้างโพงผมหอม</strong> <em>chang phong (phom hom)</em> &quot;the Phong elephant (of the fragrant hair)&quot; — six copies: <a href=\"/m/cang-pong-2996/\">Lamphun, Wat Pa Phlu</a>, <a href=\"/m/cang-pong-2-2997/\">Lamphun, Wat San Rim Ping</a>, <a href=\"/m/cang-pong-3-4145/\">Phrae, Wat Phra Luang</a>, and three unprovenanced (<a href=\"/m/cang-phong-phom-hom-2998/\">2998</a>, <a href=\"/m/cang-pong-4-4305/\">4305</a>, <a href=\"/m/cang-phong-phom-hom-2-4308/\">4308</a>), the first of them dated CS 1276 (1914).</li><li><strong>สีวิไชช้างเผือก</strong> <em>Siwichai chang phueak</em> &quot;Sivichai (and) the white elephant&quot; — <a href=\"/m/siwicai-cang-phoek-2919/\">Lampang, Wat Ban Ueam</a>, <a href=\"/m/siwicai-cang-phueak-2920/\">Chiang Mai, Wat Phrommacariyawat</a>, <a href=\"/m/siwicai-cang-phueak-2-4177/\">one unprovenanced</a>.</li><li><strong>สุวัณณะช้างเผือก</strong> <em>Suwanna chang phueak</em> &quot;the golden white elephant&quot; — <a href=\"/m/suwanna-cang-phueak-3192/\">Chiang Mai, Wat Phrommacariyawat</a> and <a href=\"/m/suwanna-cang-phueak-2-3193/\">Phrae, Wat Mueang Mo</a>.</li><li><strong>ช้างสามงาปลาสามเงี่ยง</strong> <em>chang sam nga pla sam ngiang</em> &quot;the three-tusked elephant and the three-barbed fish&quot; — <a href=\"/m/cang-sam-nga-pa-sam-ngiang-1783/\">Phrae, Wat Sung Men</a> and two from <a href=\"/m/cang-sam-nga-pa-sam-ngiang-2-3357/\">Wat Khuean Mueang Pa Kha in Chiang Rai</a> (<a href=\"/m/cang-sam-nga-pa-sam-ngiang-3-6275/\">the second</a>).</li><li><strong>ช้างสามพาย</strong> <em>chang sam phai</em>, a section inside <a href=\"/m/hiak-khu-mo-thao-kumman-phicai-pat-kae-cang-sam-pai-tanu-non-4894/\">a ritual compendium from Wat Phra That Lampang Luang</a> — beside &quot;calling the teacher&quot;, &quot;the old doctor&quot;, and &quot;sleeping in the forest&quot;; a rite or a tale, the leaves alone will say.</li></ul><p><em>Inference —</em> these are the kind of non-canonical, locally composed jataka the region is known for, and the titles alone — seven heads, three tusks, fragrant hair — say that the elephant of Lanna storytelling is a marvel-animal before it is a royal one. Their plots are not written down anywhere digital that this project has found; they are the next thing to read, and the reason this article links every copy.</p><h3>What is NOT an elephant here — two strays, marked</h3><p>The title search that found the 31 also found two things that are not elephants, and both are kept out of the count on purpose. <strong>ตำนานช้างแส่น</strong> <em>tamnan chang saen</em> (<a href=\"/m/tamnan-chang-saen-6863/\">Phayao, Wat Mae Suk</a> and <a href=\"/m/tamnan-chang-saen-2-6865/\">a second copy</a> at <a href=\"/place/wat-photharam/\">Wat Photharam</a>) is the chronicle of <strong>เชียงแสน</strong> Chiang Saen, spelled the old way — ช้างแส่น — and so is <a href=\"/m/tamnan-mueang-nyonok-nakon-latcathani-cainyabuli-si-cang-3529/\">the Yonok chronicle</a> whose title ends ศรีช้างแสน. And <strong>ประวัติของปู่อ้ายทิพช้าง</strong>, &quot;the history of grandfather Ai Thip Chang&quot; (<a href=\"/m/phawat-khong-pu-ai-tip-cang-5045/\">Lampang, Wat Ban Ueam</a>, and inside a <a href=\"/m/samatta-kammathan-asupha-sip-anutsati-sip-putthakun-sip-5082/\">kammathan compendium</a>), is a man: <em>Tradition holds —</em> Thip Chang, &quot;divine elephant&quot;, was the hunter who drove the Burmese garrison out of Lampang in 1732 and founded the line that later ruled Chiang Mai. A man named elephant, counted among the people and not the animals — the same fence the directory keeps for ลุงช้าง, Uncle Chang, who sells noodles.</p><h2>The elephant in the kathas and the yants</h2><p>The printed manuals in this collection — thirty volumes of katha, yant and amulet-making — hold no treatise on elephants, but they reach for the animal constantly, and a handful of their formulas are <em>about</em> it.</p><ul><li><strong>พระคาถามหาช้าง</strong> — &quot;the Great Elephant katha&quot;: `โอ หตฺถิ นาคโต ราชาหัตถ ๆ` in <a href=\"/m/akhom-magic-king-narai-era-6970/\">Akhom magic of the King Narai era</a>, p. 172, printed beside a horse mantra and a yaksha one. Its stated use is shape-illusion — &quot;if you want others to see you as an elephant, recite the Great Elephant katha, and all people will see you as an elephant.&quot; The same syllables, `อม หัตถีนาโค ราชาหัทๆ`, appear in <a href=\"/m/compendium-katha-from-old-manuals-6966/\">the compendium of katha from old manuals</a>, p. 76, glossed the opposite way: &quot;recite this to ward off elephants.&quot; One mantra, two volumes, two uses — the reading in the north-Thai manual is <em>be</em> the elephant, in the compendium <em>keep it away</em>.</li><li><strong>คาถาพระเจ้าสอนช้าง</strong> — &quot;the Lord teaches the elephant&quot; (same compendium, p. 64): `ตังมังนะสังโส มะนังตังนะสังโส พุทโธภะคะวา นะราคิริคัชชะวะรัง`. The last word is <em>Nāḷāgiri gaja-varaṃ</em> — the elephant the Buddha tamed in Rājagaha, named inside a working formula. The use is practical: &quot;enchant the feed and give it three meals, and it can be taught anything.&quot; <em>Inference —</em> this is the taming story turned into a keeper&#x27;s tool; the charter myth and the mahout&#x27;s trick on one line.</li><li><strong>The four house-post elephants</strong> — <a href=\"/m/phetcharat-great-yantra-manual-6960/\">the Phetcharat great yantra manual</a>, p. 121: four 4×4 numeral squares in scrollwork, captioned ช้างหน้า ที่ ๑, ช้างหลัง ที่ ๒, ช้างซับ ที่ ๓, ช้างขวา ที่ ๔ — front, back, ซับ (reading uncertain), right — inscribed on takrut of gold, nak, silver and copper against weapons, and &quot;set on the heads of the four house posts.&quot; An elephant at each corner of the house.</li><li><strong>The white elephant among the Four Albino Lords</strong> — <a href=\"/m/yantra-inscription-formulas-mixed-khom-thai-6977/\">Yantra inscription formulas</a>, p. 139, the ยันต์เทียน ๔ พญา candle-yant: &quot;พะ is the Lord White Rat, มะ the Lord White Tiger, <strong>วะ the Lord White Elephant</strong>, ธะ the Lord White Mole&quot; — four syllables written first, the candle wrapped, the prayer &quot;let me have power like the Lord White Rat, the Lord White Tiger, the Lord White Elephant, the Lord White Mole, and let gain and honour arise.&quot; The same rat–tiger–elephant–mole quartet is laid out in the Phetcharat manual (p. 72) as four figures set down in order before a chakra is inscribed. <em>Inference —</em> the white elephant&#x27;s place in a set of four albino lords is the treatise&#x27;s lineage-thinking in folk form: the pale animal as a rank, not a colour.</li><li><strong>ยันต์อิติปิโสหูช้าง</strong> — the &quot;Itipiso elephant-ear yant&quot; (same volume, pp. 67–70): a great circle ringed in Khom, then inverted triangles, with a stacked list of uses — wealth that does not run out if written into the purse, 108 recitations a day for any wish, a knotted cloth-end to walk unseen, nine recitations blown on fetters to free a prisoner. The elephant&#x27;s ear names the shape; the formula itself is the <em>itipiso</em> (<a href=\"/a?s=entity:katha\">Katha</a>).</li><li><strong>ช้างประสมโขลง</strong> — &quot;the elephant joins the herd&quot;: two love formulas under one name in <a href=\"/m/warrior-vedic-katha-chai-chatri-6972/\">Vedic katha for the warrior</a> (pp. 104, 131). The second is the one with the image: &quot;Om, the mind turns to the datura; I enchant the elephant to eat, and the elephant forgets its herd; I enchant the herd to eat, and the herd forgets the forest; <em>(name)</em> cannot stay away, weeps, comes to me, Om svāhā.&quot; Its materials are grime from the temple boundary-stone steps, <strong>grime from the elephant-tethering post</strong> (ไคลเสาตะลุง ช้าง), and one&#x27;s own sweat, in equal parts, packed into a hollowed ลูกสวาท seed, swallowed, recovered, washed and burned. The same herd-trope runs through a love-oil in <a href=\"/m/yantra-craft-katha-lanna-lineage-6980/\">the Lanna-lineage yantra manual</a> (p. 127: &quot;the elephant eats and forgets its stable, the herd eats and forgets the forest&quot;), and the elephant-post grime returns in the amulet manual&#x27;s cooking-list (p. 42). And it is alive in the market: a Surin ajarn&#x27;s takrut is listed today as สายล่าง ช้างลืมโขลง, &quot;the lower school, the elephant that forgot its herd&quot;, and a southern-Isan oil as ช้างลืมโรงหงส์ลืมไพร. The image has crossed from leaf to print to a ฿149 listing without changing a word.</li><li><strong>คาถาช้างโชง</strong>, a Kham Mueang love charm in <a href=\"/m/supreme-maha-mantra-katha-6968/\">the supreme maha-mantra katha</a>, p. 28: &quot;I enchant the elephant so it cannot slip its rattan; I enchant the buffalo so it will not graze; the horse so it will not walk the road; the woman so she will not eat rice&quot; — the tethered elephant is the first image in a Northern Thai formula. The whole family of ช้างรักงา ปลารักน้ำ similes — &quot;love me as the elephant loves its tusk, as the fish loves water&quot; — runs through the compendium (pp. 46, 49, 50) and the amulet manual (pp. 78, 96).</li><li><strong>Strength of seven elephants.</strong> The compendium&#x27;s คาถาหนุมานคลุกฝุ่น (p. 25) promises &quot;the strength of seven ช้างสาร&quot;, the warrior manual&#x27;s บทกระทู้ ๗ แบก (p. 31) &quot;enter to fight an elephant and you can break off its tusk; strength of seventeen&quot;. And <a href=\"/m/mind-current-key-saiyasat-6984/\">the key to saiyasat</a> tells it as a story (pp. 39–40): two drunken uncles, Yi and Hin, boast of the strength-of-seven-elephants katha they earned with ten years&#x27; service to อาจารย์สมภารอินทร์ — the printed text says ช้างสาน, &quot;woven elephants&quot;, for ช้างสาร, and the translation followed the misprint — and Uncle Yi lifts a forty-kilo rice mortar to prove it, whereupon the fourteen-year-old author asks to be taken as a disciple.</li><li><strong>The elephant duel.</strong> <a href=\"/m/making-sacred-charms-amulets-6983/\">The amulet manual</a>, p. 143: &quot;this yant is from the time the Lord of Heaven fought on elephant-back with the Viceroy of Hongsa; make it as a single takrut, inscribe it on the full-moon day of a Monday — he valued it at a hundred and one cities.&quot; The warrior manual (p. 52) gives the ตะกรุดมหารูด &quot;worn by King Naresuan when he rode out to duel on elephants with the Maha Uparaja&quot;, with the katha of Mother Earth. <em>Tradition holds —</em> the duel of 1593 is the most-told elephant combat in Thai memory, and the manuals keep it as a source of power rather than as history.</li><li><strong>Ivory, and the elephant as material.</strong> The amulet manual, p. 83: take &quot;the tusk of an elephant that has broken a tree&quot; (งาช้างแทงไม้หัก), carve it into a rachasi lion, number it by the yant, and steep it in scented oil in a bronze bowl. The medicine manuals use scraped ivory in a poultice for a breast tumour (<a href=\"/m/herbal-recipes-khao-or-lineage-6967/\">Khao Or herbal recipes</a>, p. 21), charred ivory and elephant molar in antidotes and pills (<a href=\"/m/thai-traditional-medicine-vol-2-6987/\">Thai traditional medicine, vol. 2</a>, pp. 11, 36–42), and elephant bone with goat, white-buffalo and black-dog bone in a decoction for leprosy (Khao Or, p. 102). The plants named for the elephant — หญ้างวงช้าง &quot;elephant-trunk grass&quot;, ว่านหางช้าง &quot;elephant-tail tuber&quot;, มะกล่ำตาช้าง &quot;elephant-eye bead&quot; — are plants, and are not counted here.</li><li><strong>The elephant-woman.</strong> The four-type classification of women puts the <strong>หัสดินี</strong> <em>hatsadini</em> (← <em>hastinī</em>, &quot;she-elephant&quot;) type in <a href=\"/m/thai-traditional-medicine-vol-1-6986/\">Thai traditional medicine, vol. 1</a>, p. 73 — large feet, an uneven gait, &quot;breasts shaped like a gourd at the neck&quot; — and <a href=\"/m/reading-women-physiognomy-ngo-heng-head-toe-6973/\">the physiognomy of women</a> reads elephant features as fortune throughout: a head shaped like an elephant&#x27;s (p. 4) for vasana, brows like an elephant&#x27;s (p. 18), ears like an elephant&#x27;s (p. 22), a brow &quot;like an elephant-hook&quot; (p. 27) for wit, a waist like an elephant&#x27;s (p. 114), thighs &quot;round as ivory&quot; (p. 181). The hook, ขอ, is the keeper&#x27;s tool turned into a shape of the face.</li><li><strong>พระพิฆเนศ</strong> — the elephant-headed god has his own katha in the maha-mantra volume (p. 37, short form <em>Om Śrī Gaṇeśāya namaḥ</em>), stencils in <a href=\"/m/sak-yant-stencils-tracing-6985/\">the sak yant book</a> (a five-line Ganesha yant, p. 15; an elephant-headed figure among fortune / obstacle-removal / charm designs, p. 11; a head with Om, p. 62), and an image-consecration rite in the ceremony manual. He is half the elephant market (below).</li><li><strong>Erawan.</strong> `เอราวะโณ มะหานาโค โน กะโรนตุ อานามะยัง` — &quot;may Erāvaṇa the great nāga grant us freedom from disease&quot; — in the maha-mantra volume (pp. 130, 173), and the elephant-lord among the gods gathering in the Mahāsamaya (<a href=\"/m/mind-current-key-saiyasat-6984/\">the key to saiyasat</a>, p. 134). Note the word: in Pali and in these chants the elephant is a <strong>นาค</strong> <em>nāga</em> — the same word as the serpent (<a href=\"/a?s=entity:naga\">Naga</a>); <em>mahānāga</em>, great nāga, is the elephant-king. The two animals share a name in the liturgy.</li><li><strong>What is not there.</strong> No ยันต์คชสีห์ — the elephant-lion appears once, in a roll-call of beings (compendium p. 17); no elephant-hair ring, no dung, no urine; <strong>ช้างน้ำ</strong> the &quot;water elephant&quot; appears only as a being to be sent away in a Lanna haunting-katha (the Lanna-lineage manual, p. 92), never as the amulet. The Pārileyyaka elephant who served the Buddha in the forest is not retold in any of the thirty volumes. These absences are findings: the contributed books are a sak-yant and katha library, not an elephant one, and the elephant comes into them sideways, as the measure of strength, the image of devotion, and the shape of an ear.</li></ul><h2>The elephant in the market</h2><p>The Lazada market data on this site (14,653 listings) holds <strong>211 elephant items</strong> once the strays are fenced — and the fence matters: <strong>วัดช้างให้</strong> <em>Wat Chang Hai</em>, the Pattani temple of Luang Pu Thuat, puts ช้าง into over a hundred listings that have nothing to do with the animal, so a bare search for the word overstates the elephant by half. Of the 211, <strong>Ganesha is 104</strong> — exactly half — then 84 elephant-figured pieces, 9 ivory, 7 Erawan, 4 elephant-oils, one <strong>แหวนขนหางช้าง</strong> ring &quot;of Surin, the elephant city&quot;, one ว่านช้าง tuber, one bag of elephant keyrings. Prices: median <strong>฿139</strong>, against the whole market&#x27;s ฿130; 89% under ฿500, the top at ฿2,500. The elephant is priced like everything else. (<a href=\"/market\">The market</a>.)</p><h2>Places</h2><p>Twenty-eight temples in the place gazetteer carry the elephant in their names — <a href=\"/place/wat-lam-chang/\">Wat Lam Chang</a>, <a href=\"/place/wat-puak-chang/\">Wat Puak Chang</a> (&quot;the elephant corps&quot;, <em>tradition holds</em> the quarter of the royal keepers), <a href=\"/place/wat-chang-kham/\">Wat Chang Kham</a> (คำ &quot;gold&quot; or ค้ำ &quot;to prop&quot; — two readings, two temples), Wat Pa Chang, Wat Tha Chang &quot;the elephant landing&quot;, Wat Nong Chang, Wat Rong Chang &quot;the elephant stable&quot;, Tham Pha Chang the &quot;elephant-cliff cave&quot; — and the elephant-year stupa itself, <a href=\"/place/wat-phra-that-doi-tung/\">Phra That Doi Tung</a>. Chiang Mai&#x27;s gazetteer has its own version of the list, every record with ช้าง in the name grouped by what the name remembers — a gate, a quarter, a bathing-pond — on the directory&#x27;s elephant page.</p><h2>Words</h2><ul><li><strong>ช้าง</strong> <em>chang</em> /cháang/ — elephant. Tai.</li><li><strong>ช้างเผือก</strong> <em>chang phueak</em> /cháang phʉ̀ak/ — ช้าง + เผือก &quot;pale, blanched&quot; (the taro) — the white elephant: a class of marks, not a colour.</li><li><strong>ปางช้าง</strong> <em>pang chang</em> /paang cháang/ — ปาง &quot;a forest work-camp&quot; + ช้าง — an elephant camp; the same ปาง as the loggers&#x27; camps.</li><li><strong>ควาญ</strong> <em>khwan</em> /khwaan/ — the mahout. <em>Tradition holds</em> a Khmer borrowing (ឃ្វាល, to herd); the root is not settled.</li><li><strong>ตะขอ / ขอ</strong> <em>takho / kho</em> /tà-khɔ̌ɔ/ — the hook; Skt <em>aṅkuśa</em> gives the learned อังกุศ.</li><li><strong>หมอช้าง</strong> <em>mo chang</em> /mɔ̌ɔ cháang/ — หมอ &quot;master, doctor&quot; + ช้าง — the elephant-master who keeps the lore and the rites.</li><li><strong>โขลง</strong> <em>khlong</em> /khlǒong/ — a herd. <strong>พลาย</strong> <em>phlai</em> a bull, <strong>พัง</strong> <em>phang</em> a cow, <strong>สีดอ</strong> <em>sido</em> a tuskless bull. <strong>ตกมัน</strong> <em>tok man</em> musth.</li><li><strong>เชือก</strong> <em>chueak</em> /chʉ̂ak/ — &quot;rope&quot;, the classifier for a kept elephant.</li><li><strong>คช</strong> <em>khot</em> ← Skt <em>gaja</em>; <strong>คชลักษณ์</strong> <em>khachalak</em> the marks-treatise; <strong>คชสาร</strong> <em>khachasan</em> the great elephant of &quot;strength of seven&quot;.</li><li><strong>หัตถี</strong> <em>hatthi</em> ← Pali <em>hatthī</em> ← <em>hattha</em> &quot;hand&quot;; <strong>หัสดินี</strong> <em>hatsadini</em> the elephant-woman; <strong>นกหัสดีลิงค์</strong> <em>nok hatsadiling</em> the elephant-trunked funeral bird — <em>hatthī</em> + <em>liṅga</em> &quot;mark&quot; + (sakuṇa) &quot;bird&quot;.</li><li><strong>กุญชร</strong> <em>kunchon</em> ← <em>kuñjara</em>; <strong>ไอยรา / เอราวัณ</strong> ← <em>Airāvata / Erāvaṇa</em>, Indra&#x27;s mount; <strong>นาค</strong> <em>nak</em> ← <em>nāga</em> — in Pali, also the elephant.</li><li><strong>ฉัททันต์ / สัททันตะ</strong> <em>Chatthan / Sattanta</em> ← <em>Chaddanta</em>, &quot;six-tusked&quot;.</li><li><strong>ปัจจัยนาเคนทร์</strong> <em>Patchaya-nakhen</em> ← <em>Paccaya</em> + <em>nāga</em> + <em>indra</em> — Vessantara&#x27;s elephant.</li><li><strong>ปีใค้</strong> <em>pi khai</em> /pii kái/ — the elephant year of the Lanna cycle.</li><li><strong>สู่ขวัญช้าง</strong> <em>su khwan chang</em> — the khwan-calling for an elephant.</li><li><strong>ตั๋วรูปพรรณ</strong> <em>tua ruppaphan</em> — the registration paper every kept elephant carries under the Draught Animal Act of 1939 (the living directory explains the two laws).</li></ul><h2>Beyond the catalogue — the camps, and the join</h2><p><em>Tradition holds —</em> the elephants of the north were the elephants of the timber trade until the forests were closed to logging in 1989; the camps of the Mae Taeng, Mae Wang and Mae Chaem valleys are, or descend from, the logging camps that lost their work that year, and many of them are kept by Karen (Pgakenyaw) families who have lived with elephants for generations. What each camp offers today — riding or none, bathing, shows, a hands-off program, how many elephants it keeps, what it posts as the price — is a thing the camp states for itself, and the living directory keeps a register of exactly that, in each camp&#x27;s own words, with the date it was read and no ranking: <a href=\"https://motdang.net/chang.html\">motdang.net/chang.html</a>. That page and this one are the two halves of one subject. This side holds the treatise, the rite and the stories; that side holds the gate, the phone number, and the sentence <em>&quot;no riding — stated by the venue.&quot;</em> The su khwan a camp holds for its elephants on 13 March is the rite on the Nan leaf above; the white-elephant marks a keeper once read from a treatise are the reason the north gate has the name it has; and the question a visitor asks at the gate — <em>does this camp use the hook?</em> — is asked with the same word, ขอ, that the physiognomy manual turns into the shape of a lucky brow.</p><h2>Open — what would change this page</h2><ul><li><strong>Read ms 538 leaf by leaf.</strong> The Nan ลักขณะช้าง is the one text that would turn &quot;tradition holds, seven marks, four lineages&quot; into a citation, and would say whether the north kept the central scheme or its own.</li><li><strong>The plots of the local jatakas.</strong> Seven heads and seven tails, three tusks and a three-barbed fish, the Phong elephant of the fragrant hair — fourteen copies, and not a synopsis anywhere digital. One reading of one copy each.</li><li><strong>The su khwan text</strong> (mss 367, 4047): what is said to an elephant&#x27;s khwan, and whether it is the same words said to a person&#x27;s.</li><li><strong>ช้างสามพาย</strong> (ms 4894) and <strong>แปงช้างเผือก</strong> (ms 5498): a rite, a tale, or a rain-effigy — the leaves will say.</li><li><strong>Crawl targets.</strong> No Lanna ตำราคชลักษณ์ beyond the Nan bundle; no elephant yant on cloth; no ช้างน้ำ amulet in the market. Each is a known part of the tradition this project has not yet collected.</li></ul>"}, "dbPresent": true, "connections": [{"rel": "related to", "key": "entity:kai", "label": "Kai (chicken & rooster)", "authored": true, "weight": null, "dir": "in"}, {"rel": "related to", "key": "entity:ma", "label": "Ma (horse) — and the zebra", "authored": true, "weight": null, "dir": "in"}, {"rel": "related to", "key": "entity:vessantara", "label": "Vessantara / Mahāchat", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "entity:su_khwan", "label": "Su Khwan (soul-calling)", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "entity:yantra", "label": "Yantra / Yan (nyan)", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "entity:katha", "label": "Katha (Pali spell-formulae)", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "entity:naga", "label": "Naga (sacred serpent)", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "entity:mangrai", "label": "King Mangrai (founder of Lanna)", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "entity:phrommachat", "label": "Phrommachat (12-year almanac)", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "entity:lersi", "label": "Lersi / Ruesi (ascetic-seers)", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "genre:jataka", "label": "Jātaka · ชาดก", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "genre:magic_ritual", "label": "Magic & Ritual · ไสยศาสตร์", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "genre:liturgy_chanting", "label": "Liturgy & Chanting · บทสวด", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "genre:tamnan_chronicle", "label": "Chronicle (Tamnan) · ตำนาน", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "genre:medicine", "label": "Medicine · ตำรายา", "authored": true, "weight": null, "dir": "out"}, {"rel": "related to", "key": "genre:astrology", "label": "Astrology · โหราศาสตร์", "authored": true, "weight": null, "dir": "out"}, {"rel": "co-occurs with", "key": "entity:su_khwan", "label": "Su Khwan (soul-calling)", "authored": false, "weight": 3, "dir": "out"}, {"rel": "co-occurs with", "key": "entity:holasat", "label": "Horā almanac (Holasat)", "authored": false, "weight": 1, "dir": "out"}], "image": null}